For example, you can set the design for one chapter title to look a certain way, and if all the other chapter titles in your book share the same semantic style name, they will inherit that same design. When you use consistent semantic styles in a Word manuscript then import that text into a layout program like InDesign or Hederis, these programs are set up to automatically apply the same design settings to paragraphs that use the same type of semantic label. (If you’ve ever worked with HTML and CSS, it’s a very similar experience, but don’t worry if you haven’t-we won’t be doing any HTML coding in this tutorial.)Īlmost all layout programs are created to work with semantic styles. These labels also make it really easy to design interiors.
#NOVEL MANUSCRIPT TITLE PAGE SAMPLE SOFTWARE#
Regardless of each book’s unique design and writing style, someone (or some software program) will always be able to know what elements are titles or which paragraphs are block quotes by looking at these consistent semantic labels. Many publishing houses have pre-defined sets of tag names that they use for all of their books, so that they have a consistent semantic language for talking about any of their books. You had your introduction, three topic sentences and the three reasons within each topic, and a conclusion-that’s semantic structure! Each label of text locates you in the essay and tells you its purpose. Think back to fourth grade, when you had to write a five-paragraph essay and your teacher made you outline each section. In plain text, it could look something like this: Most people use tags or styles to label each text element in a book. What semantic structure looks like and consists of Think about a vision-impaired person using screen-reading software to read your book: they can’t see that your titles are bigger than the body text, so relying on design to convey semantic structure has the unintended effect of creating barriers between this user and the meaning of your text. You might wonder, “if my chapter titles are bigger than the body text, isn’t it obvious that it’s a title? Is that semantic structure?” Well, the answer is…No! Semantic structure is completely separate from design.
#NOVEL MANUSCRIPT TITLE PAGE SAMPLE HOW TO#
It’s a way of saying “this is a chapter, this is a chapter title, this is a plain text paragraph,” so that the computer knows how to present your text. It’s a digital map of a book that can be interpreted by computers-for example, by ebook reading software or by a web browser. Semantic structure is a way of describing the different pieces of your text and their relationship to one another. It has to address a fundamental element that ensures a book can reach the widest audience possible: semantic structure. But in a publishing industry that is increasingly digital first and born accessible, book design software needs to go beyond perfecting the “look ” of a finished product. Authors, publishers, and book designers have many options, with each option representing a different set of tools and processes for getting a manuscript ready for production. There is an abundance of book design software on the market these days. Today ’s post is by Tiffany Watson and the team at Hederis ( which offers cloud-based, collaborative book production tools. “Labels for Art vs Craft Show” by Allspire is licensed under CC BY-SA 2.0
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